Wednesday, September 4, 2013

A Long Time Coming...

Watts enjoys a well-earned trip from the basement to the big stage

By Jeff Blout

(this article originally appeared in the September 4, 2013 edition of the Stoneham Independent)
Watts at Casino Ballroom last Sunday, L-R: John Lynch, John Blout, Dan Kopko and Craig LaPointe
                   Photo by Micah Gummel


The Casino Ballroom, Hampton Beach, NH
Sunday August 25, 2013

Led Zeppelin played here.

Jimi Hendrix played here.

The Who played here.

The list is long and reads like a role call for the Rock And Roll Hall Of Fame. Sprinkled amongst the icons are the names of instantly recognizable touring veterans (Southside Johnny, George Thorogood, Ted Nugent) and classic pop radio superstars (Chicago, Hall & Oates, Billy Joel). And tonight a new name can be added to the list of performers who have graced the stage of the legendary Casino Ballroom at Hampton Beach.

The name is Watts.

Watts are a Boston-based four-piece rock and roll band whose roots go back more than thirty years. Dan Kopko (guitar, vocals), John Blout (guitar, vocals) and Craig LaPointe (bass, vocals) have been playing together since the 1980s when they were teenage glam rockers, practicing Saturday afternoons in Blout’s parents’ basement in Stoneham and appearing regularly as a major draw at the Rockpile in Saugus and at the Kenmore Club’s Heavy Metal Wednesdays. Several bands and many lineup changes followed—including an earlier version of Watts—until 2005, when John Lynch, the hardest working drummer in Boston, joined Kopko, Blout and LaPointe to form the current, guitar-driven, rock-steady version of Watts.

The Casino show was originally scheduled as Cheap Trick with the Neighborhoods. Then the Replacements invited Neighborhoods’ guitarist Dave Minehan to join them for their reunion shows in late August, creating a scheduling conflict. Suddenly, Cheap Trick were in need of support. But Neighborhoods’ drummer John Lynch—yes, that John Lynch—wasn’t about to give up the drum stool that easily. Hey, I play in another band... Soon the Casino Ballroom’s calendar of events had a new listing for August 25th:

Cheap Trick with Watts


They were given thirty minutes. They took thirty-four. Ten songs. No messing around. But this is not a critique of the band’s performance, nor is it a song-by-song breakdown in keeping with the traditional template of rock and roll concert review. Because tonight wasn’t about how long the set was, or which songs were played. Tonight was about The Moment and everything that led up to it.

Tonight was about thirty years of lugging amps, guitars and drums down uneven sidewalks and through narrow, poorly-lit entryways, then lugging them back out again three hours later. Tonight was about those basement rehearsals and that rickety drum riser fashioned out of an old ping-pong table. It was about playing Bill’s Bar on a weeknight while the Red Sox were playing across the street and wondering if anybody was going to show up, and how much, or even if, you were going to get paid. It was about spilled beer and cigarette smoke and figuring out who should be added to the guest list and which songs to cut from the setlist. And tonight was about all those personality-fueled brushfires that inevitably flare up, making you wonder if it’s worth it, being in a band.

Of course, not every night was a struggle. There were some great ones along the way. But none like tonight. Tonight was about the comfortable dressing room and the free beverages, the professional lighting and the executive-sized mixing board. And how the main act, a group high on your list of early influences, a group you saw live when they were half the age you are now, entered your dressing room and introduced themselves, knocking down any barriers between who belongs and who doesn’t.

Finally, it was about walking out on that well worn stage, tracing the footprints of rock history, and discovering that it makes perfect sense that you are here, that no matter how big a part fate played, you’ve earned this moment. And when it was over, the crowd’s enthusiastic response stood as affirmation for all of the hard work put in both on and off stage. Because, let’s face it, there aren’t many tougher jobs in rock than that of the little known band opening for the high-profile headliner. Watts proved more than qualified.

The Doors played here.

Janis Joplin played here.

U2 played here.

Watts played here.


Did they ever.

Wednesday, August 7, 2013

Throwaway Lines

It’s time to retire these tired sports sayings, catch phrases and nicknames.

1. Stuff

As in, “That pitcher has great stuff.”

This one’s been around for as long as I can remember, and probably long before that. Stuff. Anyone can say it. I can say it, and so can Dennis Eckersley. The difference is, one of us—me—knows nothing about pitching. But it doesn’t matter, because by using the term stuff, I can act like I know. Good stuff. Great stuff. Electric stuff. Stuff doesn’t really mean anything; using it to talk about pitching is really just a way to avoid talking about pitching. For example, next time you’re watching Baseball Tonight, check out how everybody reacts whenever someone refers to a pitcher’s stuff (trust me, they will). Chances are, they won’t say anything. They’ll all just sit there nodding in agreement because none of them knows what the hell stuff is. Saying a pitcher has good stuff is like saying a book is a good read; it sounds impressive, but you really have no idea whether they’ve actually read the book.

2. Compete Level

As in, “Milan Lucic has raised his compete level in the playoffs”

Always thought intensity was a perfectly good word.

3. Big 3

As in, The Miami Heat’s Big 3.

Let’s get right to it: Larry Bird + Kevin McHale + Robert Parish = The Big 3. All the others—The New Big 3 (Pierce, Allen, Garnett), Miami Heat Big 3 (LeBron, Wade, Bosch), San Antonio Big 3 (Duncan, Parker, Ginobili)—are just pretenders with a stolen nickname. Fans seem to have forgotten why Bird, McHale and Parish got the nickname in the first place. Yes, they were a trio, that’s important. But unlike the recent glut of Big 3s, at 6-9, 6-10 and 7-feet tall, respectively, Bird, McHale and Parish were all frontcourt players. In other words: THEY WERE ALL BIG. They weren’t just three superstars playing on the same team, which seems to be the lone qualification in this age of Big 3 barbarism. Last season, people were even jamming a Lakers Big 4 of Kobe, Gasol, Howard and Nash down our throats, but then they ended up sucking, and the campaign was scrapped. Boston’s New Big 3 stole the nickname of their own franchise’s most famous trio. Duncan, Parker and Ginobili played 5 seasons and won 3 titles together before anybody referred to them as a retro Big 3. In Miami, people started calling Chris Bosch a superstar, which he is not, simply to justify the nickname. And all of these so-called Big 3s had undersized players. In other words: NOT BIG. What I’m trying to say is: Get your own friggin’ nickname!

*Lawrence Taylor knows exactly what I’m talking about. Don’t you, LT?

4. Physicality

As in, “The Sharks have added physicality by trading for Raffi Torres.”

Physicality. Is that like compete level?

5. He’d like to have that one back.

As in, The goalie just let in a bad goal – “I bet he’d like to have that one back.”

As in, No Shit! You also hear this overused piece of obviousness whenever a pitcher gives up a homerun, or a quarterback throws an interception. I mean, wouldn’t any goalie, given the option after giving up any goal (good or bad), want a do-over? Or is it just the goals the commentator decides they want back that disappoint them? Or how about when a pitcher’s watching video of himself giving up a homerun, do you think he’s sitting there thinking, Yup, that’s exactly how I envisioned it. Wouldn’t want that one back. Quarterback just threw it to a guy on the other team? Awesome!  What’s that? Do I want it back? Hell no!

*We could also do a paragraph on the idiocy of good goals vs. bad goals, but not today.

6. Professional Hitter

As in, “That Matt Stairs, he’s a professional hitter.”

Since the inception of inter-league play, most every major leaguer hits, even American League pitchers. Last season, the average major leaguer made $3.2 million, making them all “professionals”. Over 80% of major leaguers are professional hitters. So, unless we’re talking strictly about non-fielding designated hitters, the term is redundant and moronic.

7. Best Player On The Planet

As in, “Things come a lot easier when you’ve got LeBron James, the best player on the planet.”

The first time I heard someone referred to as the Best Player On The Planet was during the 2008 NBA Finals. The player was Kobe Bryant. I believe the speaker was Mark Jackson. Now the player is LeBron James. And now everybody says it. I’ve also heard the title applied to Sidney Crosby in hockey. But it figures the trend would’ve started in the NBA, a league where star players are promoted above team play. And in this age of international competition, it is easier to identify such a player. But the constant use of the term seems to fall arrogantly in line with North America’s habit of anointing the winners of the Super Bowl, World Series, Stanley Cup and NBA Finals as World Champions. What’s next, Best Punter In The Galaxy?

8. This Boston Bruins Team

As in, “The future looks very bright for this Boston Bruins team.”

As opposed to all of the other Boston Bruins teams. It’s hard to keep track, and can be so confusing.

9. The Tom Brady’s and Peyton Manning’s of the world.

As in, “You’ve got to play better than that if you want to be mentioned alongside the Tom Brady’s and Peyton Manning’s of the world.”

*You can substitute out Brady and Manning for any number of athletes. But to make my point, I’ll stick with this example.

I’m not sure where or when this one started, but I seem to remember its popularity exploding a few years ago when Eli Manning claimed he was an elite quarterback. (The whole “Elite” obsession is a discussion for another day) Soon after Eli’s claim, every NFL pre-game, post-game and overcrowded panel show dove in, creating their own formula for what it means to be elite. The debates and opinions were endless (still are). The only thing that everyone seemed to agree on was that Tom Brady and Eli’s big brother were the undisputed measuring sticks of elitism. The annoying thing was that they just couldn’t seem to contain it. First, they went and pluralized these singular superstars’ names, “Tom Brady’s and Peyton Manning’s”—there are so many of them—then, as with The Best Player on the Planet, they globalized it, “of the world”, spreading their imaginary influence and authority to a worldwide audience that, for the most part, would have no idea who or what they were talking about.

*By the way, Eli Manning made his elite quarterback claim prior to the 2011 season. At the end of that season, he won his second Super Bowl, and became an elite quarterback.

10. And At The End Of The Day...

As in, And at the end of the day, middle-aged sports curmudgeons like me will continue to follow our favorite teams, cringing at the realization that we’re no longer part of the target audience, and that the announcers, analysts and experts are not speaking to us, but to a younger, hipper group of fans eager to learn and interpret their cutting edge jargon. And this list will regenerate itself; some will fall out of favor and never be heard from again, but others will surely come along to take their place, rolling off the tongue of some clever young sportscaster, or the fingertips of another tweeting twit. And fans like me will always watch the games, usually alone, fingers on the mute button, completely unaware that we’re in danger of becoming a cliché.

Monday, October 24, 2011

Clarence Clemons

My tribute to the late great Clarence "Big Man" Clemons has been published by Lawrence Kirsch, creator of two of the finest books ever on Bruce Springsteen, For You and The Light In Darkness...

http://www.thelightindarkness.com/news/

Thank you, Lawrence

Saturday, July 9, 2011

For the Benefit of Horton Bagg

“Hello, Mr. Bagg.”

Horton Bagg looked up from the vinyl sofa where he’d been doodling on the back of a parking receipt. He then rose and crossed the paneled room as the vacated cushion hissed back to form.

“Doctor.”

Doctor Vandeberg Floss stepped back allowing entrance to his dark-wooded corner office.

Horton tossed the parking receipt into the wastebasket before entering, then took his customary position in the low-backed chair opposite his therapist. He was unshaven, but sporting far less growth than usual. The doctor had noticed an increased effort on Horton’s part to improve his appearance.

“Before we begin,” Floss said, “we need to go over something; Something I need to address as the senior doctor of this group practice.”

“I’m not sure what you mean.”

“Of course not,” Floss said. He paused. His brown hair was of an in-between length; not short, but certainly not long enough to justify the forced ponytail he obviously took pains to wring together each morning. “We need to discuss a matter that falls outside our patient/ therapist relationship.”

“I see.”

He didn’t.

“It’s rather delicate,” Floss said. “And I must insist that everything we’re about to discuss remain confidential.”

“Okay.”

Horton realized he was nodding his head a little too eagerly and stopped.

“Just between us,” Floss said.

“Agreed.”

Floss paused again, placing more weight on Horton’s scale of anticipation.

“Starting today, I’m going to ask that you enter and exit our building through the side entrance.”

Now it was Horton’s turn to pause. He narrowed his eyes and tried to think of something to say while processing what the doctor had said.

“Side entrance?”

It was the best he could come up with.

“I realize it’s an unusual request,” Floss said, “but I assure you there’s good reason.”

“You mean this door here?” Horton pointed toward a windowless door he’d always assumed was a closet. “Wouldn’t that dump me out onto Pillage Street?”

Floss looked over his shoulder as if he hadn’t considered where the door was or where it led. “Nobody’s dumping you anywhere, Mr. Bagg.”

“But I park on Braylon Avenue. It’s way over on the other side of the building.”

“I know it’s an inconvenience, but I need you to avoid our waiting room.”

Horton dipped his chin, pillowing his loose neck like a soft inner tube.

“Why?”

“We’ve had complaints.”

“Complaints? About me?”

“I’m afraid so.”

“What kind of complaints?”

“They say you skip merrily through our waiting room each week following your appointments.”

“They? Who are they?…I don’t skip.”

“They say you act as though you’re walking out of a comedy club.”

“Who? Who said these things?”

Another pause. Floss breathed deep like someone preparing to cross a narrow footbridge over a deep gorge. He was a decent actor.

“The people you pass in our waiting room each week.”

Horton’s eyes widened.

“Really? They talk about me?”

“Yes.”

“I had no idea they even noticed me. I mean most days they seem to just sit on those slippery sofas and stare at their shoelaces.”

Floss crossed his legs and folded his hands on his lap.

“Mr. Bagg, that waiting room is a sanctified haven. There needs to be some measure of civility and tranquility. Some of our patients have suffered, and continue to suffer, great emotional trauma.”

Horton wasn’t listening. He was looking out the room’s lone window, which offered an unobstructed view to an always-deserted courtyard. He raised an index finger as a thought occurred.

“Though, there was that one time, the skinny guy with the buckteeth, he seemed to look up and give me a quick flat-mouthed mourner’s smile. I remember because I left here thinking you don’t see many people with buckteeth anymore. Modern dentistry, I guess.”

“Mr. Bagg, I know this is awkward…”

“Huh?”

“The people in our waiting room, they’re unhappy with your conduct.”

“My conduct? What’s wrong with my conduct?”

“They say you behave inappropriately.”

“What did I do?”

“They say you whistle.”

Horton considered this.

“Yeah, sometimes. So?”

Floss continued, “They say you whistle happy songs. Last week it was The Beatles. A Ringo song, they said.”

Horton smiled.

“Octopus’s Garden,” he said. “It’s kind of funny because I hate that song. I like Ringo, but not that song. I must’ve heard it in the car. You know how a song can just take over like that.”

“They don’t find it amusing, Mr. Bagg.”

Horton’s smile disappeared.

“I’m trying to help them.”

“Help them how?”

“Just because I suggested ending my therapy last week doesn’t mean I’ve lost touch with how I felt when I first came here. I’m trying to demonstrate what things are like when you start to feel better.”

“Yes, I remember you sharing your views on terminating treatment. I agree you’ve made significant progress, but I’m not sure I follow…”

“Have you ever spent time in your waiting room, Doctor? I mean really sat down as if you were waiting for an appointment?”

“No, I can’t say as I have.”

“It’s like cold storage out there. Those people act as though they’ve been prematurely pumped with embalming fluid. They’re supposed to be here getting better, right? Well, I’m trying to show them that it’s possible.”

“What leads you to believe you’re qualified?”

“You remember when I first came to you? I was so paranoid someone was trying to steal my identity I almost erased myself. I paid for everything in cash, made most of my phone calls from payphones, and put my mail on hold. When bills arrived, I tore them up in long strips and drove them around to different dumpsters in a borrowed car. One night, I went back and recollected everything so I could burn all the traces, but got pulled over by the cops because there was so much trash in the car you could barely see in or out. When they asked me to identify myself, I got arrested because I didn’t carry a license or anything else that could prove who I was. They thought I stole the car and profiled me as an identity thief. It took four hours for them to locate the friend I’d borrowed the car from so he could vouch for me and bail me out. I lost that friend, my job, and, eventually, went on disability. Since then, that has become my identity; I’m basically a ward of the state whose paper trail runs through a health insurance policy that ends at this address.”

“But you’re driving your own car again, carrying your license with you.”

“Exactly, and that’s what qualifies me; I’m getting better. I’m even using curbside garbage pick up again. Things are turning around for me and part of my recovery has been the belief that I can help other people. People like the ones out in the waiting room.”

“So you feel compassion for them?”

“Yes, I do. In fact, I think I’m the only one who does. I’m setting an example. You should be thanking me.”

“Please explain.”

“If I walk out of here through that mausoleum you call a waiting room with my head down tracking that cheap, foam carpeting, it’s like an advertisement saying we’re stuck. It’s like saying to those people what’s eating me is hungrier than what’s eating them. You should be encouraging me to bounce out of here every week instead of sneaking off like some two-timing snake. Waiting room? Tell me, Doctor, what are they waiting for?”

“So, Mr. Bagg, you consciously bounce and whistle your way out of here in an provocative effort to draw attention to yourself?”

Horton folded his arms across his chest.

“I figured if they saw someone coming out of your office in a breezy state they might appreciate that it could one day be them.”

“Well, they don’t appreciate it, Mr. Bagg.”

Horton bit down, causing the muscles in his temples to pulse.

“What do they appreciate? You walk by them and they crinkle like crepe paper, like if you poured water on them, they’d wilt onto the floor as the color drained out of them. That one woman, with the black sweater, she wears it every week, she never shows any signs of improvement. What the heck are you doing for her?”

“First of all, she’s not my patient. Second, you shouldn’t be concerned with anyone’s treatment but your own.”

“Not your patient? You run this practice. Aren’t we all your patients?”

“In a manner of speaking, yes, but I’m not involved with every client on a one-on-one basis.”

“Was she the one who complained?”

“Actually, they all complained.”

“All at once?”

“They approached me last week after you left. We had a meeting.”

“Wait a minute, you’re telling me that those discontinued souls actually speak to one another?”

“Apparently, they’d been debating for some time.”

“Debating? They debate? About what?”

“About how to handle the situation. One of them suggested a physical solution. Of course, we couldn’t condone that.”

“Of course.”

Horton looked around then back at Floss and spread out his arms.

“Where was this meeting?”

“I’m sorry?”

“It’s not like you’ve got a conference room. Where did the four of you meet?”

“Seven.”

“What?”

“There were seven of us; three patients and the four doctors who make up this practice; Dr. Logman, Dr. Plum, Dr. Rawhart, and myself.”

Horton wrapped his left hand around his right wrist. He did this to prevent hand wringing; the effect was the same.

“Sort of like an underhanded, illegitimate intervention.”

“Not exactly how I’d put it, but I understand how you might look at it that way.”

“Except the interventee wasn’t invited. So, where did you go?”

“Mr. Bagg…”

“You must’ve gone somewhere.”

“We went just down the street. Place called Chloe’s.”

“You mean that place where they give you a mini fruit cup with every meal?”

“Yes.”

“I love that place. Was the guy with the British accent behind the bar? I think his name’s Stuart. He uses the word “bloody” a lot, as in, ‘you’re bloody well right, lad,’ and sometimes he swears, but never in front of women; bit of a hypocrite, if you ask me, but everyone seems to like him.”

“We didn’t sit at the bar, Mr. Bagg.”

“Oh.” Horton’s hand tightened around his wrist. “How did you settle the tab?”

“I don’t see how…”

“Did you split it seven ways?”

“The clinic paid the bill.”

“As a business expense?”

“We considered it business, yes.”

“Isn’t that fraud?”

“I don’t believe so.”

“Was alcohol served?”

“Of course not, Mr. Bagg. Many of our patients are on prescription medications.”

“Not one drink? That big guy out there, wears the Cat Diesel Fuel hat, I bet he’s visited the bottom of the Yukon Jack bottle a few times.”

“What would that mean to you? If we’d had a drink or two?”

“It would mean that things probably got pretty loose at your business meeting. Tell me, Doctor, was there laughter?”

“What do you mean?”

“At the meeting, did anyone laugh?”

“I don’t recall anyone laughing.”

“Not even of the nervous variety?”

“I really can’t…”

“Because I don’t like it when people laugh at me.”

“No one was laughing at you, Mr. Bagg.”

“So, what did you talk about?”

“I’m not at liberty to discuss other people’s cases with you.”

“No, but it sounds like you’ve got an open-door policy where my case is concerned.”

“We only talked about the issues in the waiting room. We didn’t discuss anything that’s gone on in treatment. And Mr. Bagg, I must insist that you refrain from discussing this issue with anyone as it falls under doctor/patient privilege.”

“Privilege? What are they going to do sue me for being happy? I’m the only one trying to make a difference for those people and this is how they repay me?”

“Please, Mr. Bagg, keep your voice down and try to remain calm.”

“Why? Are you afraid I might bring them out of their comas? And stop calling me Mr. Bagg. We’ve been working together over seven months.”

“Okay, Horton, but please try to relax.”

“I was relaxed. Now I find the entire practice has turned against me.”

“You feel betrayed?”

“Of course I feel betrayed. Your job is to get those people well. But all you do is sit there in your superior chair playing this bizarre game of psychological ping pong feeling threatened whenever your opponent holds serve.”

“That’s an interesting way of looking at it.”

“No, it’s not. It’s far from interesting. I could do without your manipulative, condescending manner. And don’t start staring at me. I fucking hate it when you stare at me. Is that what they teach at the shrink school? Is it just one big staring contest?”

Floss waited.

“Maybe after you’ve mastered staring, it’s off to get your degree in contemplative finger steepling.”

“Horton we’re…”

“Or how about voice lessons? You’ve all got the same coach, right? Who is it, Bob Newhart? Teaches you that fair-minded tone, along with that charitable delivery, without the irony, of course. I wonder what you sounded like before the degrees started piling up.”

“Horton…”

“Call me Mr. Bagg, my father called me Horton. I hate that name.”

Horton grew silent at the thought.

“Tell me more about you father,” Floss said.

“Don’t change the subject. I’m not telling you anything.”

“Why is that?”

“Because I can’t trust you.”

“Everything you say here is confidential.”

“What about your sneaky little ad hoc meetings?”

“I’m sorry?”

“You’re sorry? This whole building owes me an apology! And a free meal! How come I don’t get to go out to dinner?”

“Horton, you’re not responsible for the well-being of anyone but yourself. Each of our patients has a unique emotional make-up. We feel we know best how to deal with their treatment. This is a clinic, Mr. Bagg. My colleagues and I must establish some guidelines as to how our patients govern themselves.”

“What about how you govern yourselves? Taking patients out for a meal so you can all gang up on someone. And let me tell you something about this place you call a clinic; it smells. It smells of dread. Every week I walk in here and expect to find leaky pipes and bars on the windows. And those foolish white noise machines? They don’t filter out the bad things, Doctor. They don’t cover up those anguished, high pitched sobs that escape when you’re short of breath and don’t even realize you’ve made a sound until after it’s already out. They get through, under that door.”

Floss raised his eyebrows. “Please, continue…”

Horton didn’t need the prompt.

“And what about that daybed? It’s standard issue, right? Have you ever actually analyzed anyone? Seems to me it only serves as a coat rack and catch basin for your overflowing bookcase.”

“Go on…”

“You go on. Let’s hear what you think. You’re supposed to be nonjudgmental. Now I find out you’ve got an entire jury set up making observations behind my back. Deciding things.”

“It wasn’t like that.”

Floss’s eyes shifted up and to the left then back again.

“What was that?”

“What was what, Mr. Bagg?”

“Why are you checking the clock?”

“We have to stop now.”

“Fine.”

“I’ll see you next week.”

“What?”

“That’s all the time we have.”

“But, you said, ‘Before we begin.’”

“What do you mean?”

“When I first came in, you said, ‘Before we begin, we need to go over something.’”

“Yes.”

“We’ve been going over it since I walked in. We haven’t actually begun.”

“We can pick this up next week.”

“No we can’t. This has been your time. You and your back-stabbing committee. I’ve still got 45 minutes coming to me. You didn’t even take notes.”

“I don’t always take notes, Horton. I’m sorry, time’s up.”

“What is this, some kind of half-assed Monty Python sketch?”

“Mr. Bagg, I have a schedule to keep and patients to see.”

“Fine, I’m calling my insurance company and telling them not to reimburse you.”

“I wouldn’t advise that.”

“And what would you advise, Doctor? Another six months worth of visits? Keeps you downstream on the co-payment river, doesn’t it? Helps pay for that month-long vacation in August. What’s up with that anyway?”

“What’s up with what, Mr. Bagg?”

“Why August? I mean, is that off-season for mental illness? You’re not the first therapist I’ve been to; you all seem to take the month of August off. I don’t think it’s by accident, either. I’ve seen the word “august” used as an adjective in books; it means majestic; inspiring reverence. I think it was some doctor’s idea of a twisted joke; let’s take the month with a name worthy of our eminence.”

Floss rose from his chair signaling with an open palm for Horton to remain seated.

“Excuse me for one minute.”

He opened the door extending his head out into the waiting area.

“Wait!” Horton said, “What are you saying out there?”

Floss closed the door.

“I was just letting them know we’d be a few more minutes.”

“Just letting them know, huh? Don’t tell them anything. It’s none of their business. We’re done!”

Horton Bagg stood and headed for the main entrance.

“Horton, please use the other door.”

“To hell with that!”

“Will I see you next week?”

“You better believe you will, I’m not done with you yet.”

Horton opened the door and walked flat-footed to the middle of the waiting room, stopping long enough to look at each of the three people seated about the room. They were all in their customary positions; the man with the buckteeth by the door; the woman in the black sweater beneath the hanging plant; the man in the Cat Diesel Fuel hat on the long couch. They were spaced as far apart from one another as possible, but equidistant. Their posture was rigid like coach passengers on a turbulent flight. Horton shook his head and reached for the door. Then he stopped, turned around, and walked over to the wastebasket. Bending down, he noticed the liner had been changed. His parking receipt was gone.

Floss’s door was still open.

“Where’s your janitor dump the garbage?” Horton said.

“Mr. Bagg, are you alright?” Floss said.

“Where?!”

“The dumpster’s around back.” Floss swung in his chair. “It might be quicker if you go out this way…” But when he turned back, Horton was already out the door.

Inside his office, Floss’s phone rang.

“Doctor Floss…Yes, Doctor Plum…Everything went well…Yes, Mr Bagg is still my patient…A timely meeting, indeed…Almost lost one there, didn’t we?…Those three? He won’t confront them, he still thinks he can save them, he’s focusing on me now…Good day, to you, too…Oh, and Dr. Plum, let’s cancel that order for the new white noise machines…No, turns out the ones we have work fine after all.

Wednesday, March 2, 2011

DOWN IN FRONT!

Ten Indicators That The Rock Concert You’re Attending Probably Won’t Be Everything You’d Hoped It Would Be

1.)A month before the concert, you receive a courtesy e-mail informing you that, due to historically high demand, rather than add more shows, the concert has been moved from the 5,000-seat performing arts venue to a nearby 60,0000-seat outdoor sports megaplex. In addition, the promoter promises to exchange your tickets for a comparable pair just as soon as every season ticket holder for every team that calls the megaplex home gets a shot.

2.)As you enter the concert hall, you look up and notice the performer’s name preceded by “AN EVENING WITH...” on the marquee. This usually means one, or all, of the following...
·The performer was once part of a great band and will be attempting to resurrect his or her career with new solo material.
·The performer will be playing his or her favorite cover tunes accompanied by a little known, but classically trained clarinet player.
·The performer no longer has the drawing power to attract large audiences, so they bill the show as “AN EVENING WITH...” to make it seem as though the intimacy was their choice.

3.)You approach the turnstile and realize the date on your ticket is not a match to the date on the calendar.

4.)You notice, as the band walks on stage, one of their founding members has been replaced by another member’s son or daughter.

5.)The crowd around you is drunk, rowdy, nearly out of control, and the nearest usher resembles your great-aunt Clara.

6.)After opening with a flurry of hard rock anthems, the lead singer steps to the mike, and says, “We’d like to try something a little different tonight...” Meanwhile, the roadies are placing stools in front of mike stands, and swapping out electric instruments for acoustic ones.

7.)The person beside, behind, or in front of you is an asshole.
For example...
General admission:
·Person beside you decides it’s a good night to introduce the one-man mosh pit.
·Person behind you likes to whistle and sing off-key and has breath like raw sewage.
·Person in front of you is wearing a baseball cap and keeps turning to talk to his friend obstructing your sightline with the cap’s bill.
Assigned seating:
·Person beside you constantly drifts into your personal standing space (for you drifters, that’s the area directly in front of your seat – use the armrests as your guide)
·Person behind you remains seated, yelling, “Down in front!” while everyone else stands during up-tempo numbers.
·Person in front of you brings a sign.

8.)The person beside, behind, or in front of you is an asshole and you paid for their ticket.

9.)You’re on the floor, halfway back, when some nitwit decides to hoist his girlfriend, who is 5 feet tall and can’t see, onto his shoulders, erecting what amounts to an eight-foot-high asshole-totem-pole in the middle of the floor.

*Standing on your seat creates the same effect – asshole!

10.)You arrive well before showtime to stake out an amazing spot down front, but when the lights go out, you find yourself drowning in a sea of assholes as wave after wave of stage divers and crowd surfers threaten to swamp you under.
Remember: YOU DO NOT HAVE TO CATCH THEM...let the bodies hit the floor...let the bodies hit the floor...It’s not easy to crowd surf in a body cast.

I really do love going to rock concerts, and don’t mind sitting or standing alone, which, if you hadn’t already guessed, is how things usually end up.